4 Dec 05.... History of Myth

I’m going to indulge you in an excerpt this week from A Short History of Myth by Karen Armstrong.

Yet the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not ‘real’ and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book aside. It is an exercise in make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with other lives and sorrows. It teaches compassion, the ability to ‘feel with’ others. And, like mythology, an important novel is transformative. If we allow it to do so, it can change us forever.

If it is written and read with serious attention, a novel, like a myth or any great work of art, can become an initiation that helps us to make a painful rite of passage from one phase of life, one state of mind, to another. A novel, like a myth, teaches us to see the world differently; it shows us how to look into our own hearts and to see our world from a perspective that goes beyond our own self interest. If professional religious leaders cannot instruct us in mythical lore, our artists and creative writers can perhaps step into precisely this priestly role and bring fresh insight to our lost and damaged world.

So maybe in the coming week we can all look into our parallel universes and wonder a little on why we read. Why we enjoy it.